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Farewell, The Stage Deli

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The Stage deli menu

A customer asked Max why he didn't have a parking lot in connection with the Stage Delicatessen. Max snorted: "Jerk! If I had a parking lot, I wouldn't need a restaurant!" A waiter was heard asking a table customer: "Which one of you ordered a clean glass?"
-Myron Cohen
The Stage Deli, "Where celebrities go to look at people",  New York's legendary Runyonesque Times Square delicatessen/show biz hangout drawing stage & movie stars, musicians, politicians, sports stars and especially Jewish comedians, officially closed it's doors Thursday, Nov 29th, the end of an era. It was first opened on Broadway & 48th St in 1937 by  crude, gravel voiced Russian immigrant Max Asnas who would be dubbed by Fred Allen the "Corned-Beef Confucius" thanks to his "Asnas-isms", off the cuff "rye", psychological quips, for example: "Money is something you make in case you don't die".

The Stage deli was a NY institution, or at least it was till 1967 when Max Asnas finally sold it and retired. He died the following year. Farewell to the Stage.
http://dinersjournal.blogs.nytimes.com/2012/11/30/stage-deli-closes-a-midtown-staple-since-1937/

http://www.nydailynews.com/new-york/stage-deli-serves-overstuffed-sandwich-article-1.1211372

Here are some images reflecting the Stage's glory years:

the opening day of the Stage Deli in 1937, Max Asnas forth from left
"Known for Everything Good"
Stage deli ad, caricature of Max Asnas by Al Hirschfeld

THE SCHLEPPERS,
Fascinating article by Kliph Nesterhoff on mid-twentieth century NYC comedian restaurants/hangouts, including the Stage Deli...

http://blog.wfmu.org/freeform/2011/10/the-schleppers.html

 Stage workers, 1952

Murray Robinson's 1951 article from Colliers about Max Asnas and the Stage, "Corned-Beef Confucius":
http://www.unz.org/Pub/Colliers-1951mar31-00024?View=PDF

Stage ashtray (back when smoking was still allowed)

Max Asnas posed with a Stage worker, 1955. Earl Wilson dubbed Max:
 "the beloved baron of bagels, blintzes and borscht"

gag photo from 1957 of Max and Stage regular,
comedian "Fat" Jack Leonard 
Judy Garland attends a show cast party at the Stage, 1960

a 1957 show cast party, Max looks on in the background

a proud Max Asnas with two of his staffers, 1961
A portion of the Stage menu by Hirschfeld, originally printed in Colliers magazine.

larger view of the menu, this one signed by two boxing legends

samples from the menu, 1973

a Stage placemat featuring the entire illustration
Another Hirschfeld Stage panoramic,  from the March 1954 issue of Colliers, this time depicting the crowd at Lindys (click to enlarge)
In 1961, Max Asnas had a wireless mic attached as he held court for three days at the noisy Stage and recorded this "Live Gag Session" comedy album for Kimberley Records. Jack E. Leonard, Myron Cohen, Joey Bishop and Morey Amsterdam among others also appear, recalling favorite Asnas anecdotes over seltzer, borscht and pastrami sandwiches.

http://thecrosspollinator.wordpress.com/2012/05/27/max-asnas-corned-beef-confucius-side-1-mp3/

album back cover with liner notes by Earl Wilson

a later (boring) Stage menu by artist Dong Kingman


Jackie Mason and Joan Rivers attending a more recent party at the Stage


The Heartbreak Kid is 40!

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"We'll have 40 or 50 years together"  -Lila

"Elaine May directed it.

Neil Simon wrote it.

Bruce Jay Friedman conceived it."

In early Dec 1972, "The Heartbreak Kid" was first sneak previewed at New York's Sutton theatre (I attended) and soon opened to unanimous rave reviews. Vincent Canby in the NY Times summing things up: "The Heartbreak Kid is a first-class American comedy, as startling in it's way as was "The Graduate." It's a movie that manages the marvelous and very peculiar trick of blending the mechanisms and the cruelties of Neil Simon's comedy with the sense of F. Scott Fitzgerald. The film is an unequivocal hit".

And it was. The Heartbreak Kid would go on to set box office records at the intimate Sutton theatre with continuous lines around the block throughout the month until it opened widely.

Jeannie Berlin as Lila, Charles Grodin as Leonard
at their wedding
 Neil Simon's first rate screenplay was adapted from Bruce Jay Friedman's short story "A Change of Plan" which had appeared in the Jan 1966 issue of Esquire...

the 2 page opening spread for "A Change of Plan" in Esquire. Illustration by the great cartoonist Stan Mack (click to enlarge)
The story was about young man named Cantrow who marries and is off on his honeymoon to Miami Beach with his new bride, but upon arriving quickly falls for and pursues a young beautiful WASP girl. The story ends with Cantrow attending his second marriage ceremony and actually showing interest in his new mother-in-law (the film doesn't go there)

Read "A Change of Plan" here:
http://www.tabletmag.com/jewish-arts-and-culture/books/954/a-change-of-plan
The original poster for "The Heartbreak Kid",
 actually highlighting the talent behind the film, all but unthinkable today.
Neil Simon had been a long-time admirer of Bruce Jay Friedman's fiction. Simon had toyed for years with the idea of adapting BJF's novel "A Mother's Kisses" into a film, and would later adapt BJF's "The Lonely Guy's Book Of Life" into what would eventually become the Steve Martin comedy "The Lonely Guy" (co-starring Charles Grodin).  for a "Dialogue On Film" for the American Film Institute, Neil Simon commented:

 "I love Bruce Jay Friedman's writing... what I did-- and I've never done it at any other time-- I wrote it as though I was Bruce Jay Friedman. I didn't write it as Neil Simon. The style of writing is quite different from the style of writing I'd done in other pieces. Friedman has a very oblique and unique sense of humor, and I tried to write it like him."

 Many critics, while being somewhat harsh towards Simon's earlier film scripts, cited his screenplay for "The Heartbreak Kid" as finally having an "understanding of character", rather than going for the easy laughs.

                                            The Heartbreak Kid trailer

           Director Peter Bogdanovich on "The Heartbreak Kid:
http://blogs.indiewire.com/peterbogdanovich/the_heartbreak_kid#

an early ad for the hit film


click to watch... The entire film

Director Elaine May
"The Heartbreak Kid" was Elaine May's second film as a director following her promising comedy (which she also wrote) "A New Leaf", in which she co-starred with Walter Matthau the year before. With "The Heartbreak Kid", she delivers the goods, finding her full comic voice as a director and the movie reflects her unique, dry, deadpan persona...
Elaine May directing Charles Grodin in Miami Beach
 especially in the casting and performance of her daughter, a reflection of herself, 21 year old Jeannie Berlin who sounds and looks like a (slightly more zaftig) version of her mother. Some of the scenes and dialog between Charles Grodin and Jeannie Berlin even sound like Nichols & May Routines. Making her film debut Jeannie Berlin is perfect in the role of the nice Jewish girl/spurned bride Lila, funny, pathetic and finally sad and heartbreaking. She was deservedly nominated for a best supporting actress Oscar.

Lila and Lenny on their way to Miami Beach, singing
 "I'd like to buy the world a coke"
Neil Simon would later say in an interview that he imagined Lila in his script as attractive and only slightly befuddled (and less Jewish). There's also no indication that the first (nameless) wife in the original BJF short story is Jewish, unattractive or had any unpleasant (disgusting) habits (eating Milky Ways during sex, devouring egg salad with remnants seen around her mouth, smearing her face with gobs of sun cream, etc).
Lila loves egg salad
Simon had Diane Keaton in mind for the part of Lila but Elaine May had her own ideas. He felt that if Lenny had dumped a more attractive Lila (Diane Keaton) for the shiksa, it would have shown the audience an even darker, colder side of  Cantrow,  leaving his new wife on their honeymoon on merely a whim. Elaine May wanted her daughter for the role and that was that. No matter, all agree that Jeannie Berlin practically steals the film.
"Lenny, I put cream on!"
3 days into the honeymoon, Lenny announces the marriage is off. Lila doesn't take it well
By 1972, Charles Grodin had been acting (and directing) for over a decade, mostly in NY theatre. In 1968 he appeared as Dr. Hill in "Rosemary's Baby" and 2 years later was cast in a small role in Mike Nichols film version of "Catch-22". (that same year he also briefly starred in BJF's off-Broadway play "Steambath", replacing Rip Torn, the role eventually going to the show's director Anthony Perkins). Grodin had earlier been under consideration for the lead role in "The Graduate".
Grodin as Dr. Hill, 1968

 Grodin was 37, balding and a bit paunchy when he was cast as the twenty-something Leonard Cantrow. He trimmed down, grew long sideburns, was fitted with a bushy dark toupee, and delivered a superb comic performance and, actually achieves something rare in movies: He plays a guy who does something so reprehensible and cringe-inducing and still gets the audience on his side, cheering his eventual triumph. You just had to admire the guys chutzpah. Even so, when at one point in his frustration he announces "And... I'm a SCHMUCK!", audiences inevitably broke out in applause.
21 year old Cybill Shepherd as Kelly meets 37 year old
 Charles Grodin as Lenny on the beach in Miami
A second poster for the film

the soundtrack album

The films jaunty opening and closing theme song "You're Going Far" was composed by Cy Coleman with lyrics by Sheldon Harnick:
http://www.youtube.com/watch?v=jjvhnAQa6l8
Cybill Shepherd delivers a sexy, subtle and funny performance as Lenny's WASP/Shiksa/Dreamgirl/All-American Goddess Kelly, at first flirty, then disinterested, unattainable and finally... attainable
Leonard pursues Kelly to her snowy midwest university as her 3 suspicious meathead boyfriends look on.  Kelly: "You know, I'm really flattered"
Shiksa Dreamgirl:
"You're in my spot"

Two years after his TV sitcom Green Acres had left the air, Eddie Albert returned to play Kelly's steely-eyed, overly-protective midwestern father Mr. Corcoran. Kelly's dad can simply can NOT accept his beloved only child being pursued by a pushy east coast Jew who sells sporting goods for a living. Albert delivers a pitch-perfect comic performance as Lenny's main obstacle and was nominated for a best supporting actor Oscar. 


  Audra Lindley is also excellent in the film as Eddie Albert's nervous, clueless wife... 

and briefly performing in the Miami nightclub is the great comic/magician Art Metrano. The young waiter who has the thankless job of telling Lenny that the kitchen has just run out of it's famous pecan pie is Erik Lee Preminger, one of the films producers and the son of director Otto Preminger and famed stripper Gypsy Rose Lee.
To me, the true success of a film has always been whether it was worthy of being parodied by MAD magazine. Sure enough, The Heartbreak Kid passed the test and received the full-throttle, seven page MAD treatment in their Oct 1973 issue (OK, Mad wasn't always the most timely publication) with a funny script by Larry Siegel and beautiful art by the master himself, Mort Drucker...

opening spread for "The Heartburn Kid" from MAD magazine No. 162 
In 2007, A party at New York's Le Cirque was held to celebrate Charles Grodin's new memoir and the 35th anniversary of "The Heartbreak Kid" attended by several of the cast members and talents behind the film: (photos by James Hamilton for the NY Observer)

Elaine May and Bruce Jay Friedman
Neil Simon and Charles Grodin
Post script: In 2007 "The Heartbreak Kid" was, for some unfathomable reason "remade" with the son of Jerry Stiller and Anne Meara in the lead and written & directed by two men named "the Farrelly brothers", clearly none of them having any understanding of what made the first film great. The "remake" was an abomination and thankfully a huge flop. Avoid at all costs. Hopefully "the Farrelly brothers" will never again attempt to "update" classic movie comedy...

Oh... Wait...


Sigh.


Who the HELL is "Dining at Melvyn's"?

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click to enlarge
"Dining At Melvyn's" was a large panoramic mishmash drawn by "The Rumba King", Cuban bandleader/caricaturist Xavier Cugat created when Melvyn Haber ("Mr. Palm Springs") opened the restaurant in 1975. Melvyn's continues to be a popular Palm Springs restaurant/tourist stop, and this piece featured many of the new "regulars", or at least 1975 Palm Springs regulars. A print of the art still hangs there above the men's room urinal. Some of the caricatures are clearly identifiable (thanks to his  basing them on Al Hirschfeld caricatures), some continue to baffle to this day. Cugat took his master list and the mystery to the grave with him in 1990. People have debated this for years. 
The best I can make out:
Top Row: Possibly John Carradine, Abbey Lane or Charo (both Cugat wives), the artist himself-Cugat, Liza Minelli, Phyllis Diller, possibly Ernest Borgnine, or, a restaurant bouncer?, the following the most confusing of all: possibly Eddie Fisher and his latest squeeze, or, as some have speculated, restaurant owner Melvyn's "agent" with his girlfriend, although why a restaurant owner would have an agent is confusing, and finally possibly Melvyn himself?
Row 2: David Niven, Tony Bennett, Buddy Hackett, Liberace, Charles Bronson, Jerry Lewis (some had guessed Clark Gable, but ears way too small and he was long deceased)
Row 3: John Wayne, Hugh Hefner, Katherine Hepburn, Danny Kaye, Jackie Gleason, Barbra Streisand
Row 4: Richard Burton, Elizabeth Taylor, Sonny and Cher, Sammy Davis Jr. (??), Alfred Hitchcock (via Hirschfeld), Anthony Quinn, Frank Sinatra
Bottom Row: Rex Harrison, Kirk Douglas, Red Skelton, Bob Hope, Bing Crosby, Lucille Ball, Danny Thomas and Groucho Marx (what, no Zeppo who lived in Palm Springs?)

Jackpot Bowling starring Milton Berle

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Uncle Miltie & pins
"I hope people now refer to the game as "Berle-ing"-Milton Berle

In 1950, Milton Berle was host of the most-watched show on television, Texaco Star Theatre and was by far the most popular star on television, in fact he was known as "Mr. Television". In 1960, Milton Berle was hosting Jackpot Bowling.

Milton Berle summed up the show: "Twenty-one minutes of bowling and nine minutes of Milton Berle. Nine minutes? I usually bow that long!"


http://classicshowbiz.blogspot.com/2012/05/jackpot-bowling-with-host-milton-berle.html

Jackpot Bowling had been on NBC TV for three years before the producers had the brilliant idea of hiring Uncle Miltie as MC for comedy relief, delivering an opening, rapid-fire bowling-joke oriented monolog before turning things over to announcer Chick Hearn who called the matches between the professional bowlers. Berle would return and kibbitz with special guest stars, including Buddy Hackett, Debbie Reynolds, Bobby Darin, Jack Dempsey, Diana Dors, The Ritz Brothers...
                                 Milton Berle welcomes The Ritz Brothers

... all bowling for their favorite charities, then later close the show with more bowling related jokes. The show, filmed at the Hollywood Legion Lanes actually garnered good ratings but after six months, Milton Berle bowed out, perhaps due to a better offer... or due to sheer embarrassment.
 "Only Milton Berle would have the nerve to
stand in a bowling alley and tell jokes" -George Burns

a "review" of the new show

"Im doing this for "pin" money"- Milton Berle

"People wonder what I'm doing on this show, I'll tell you.
The sponsor called me up-- and I said "I'll take it!"
A fan letter to the show:
" How dare those bowlers take up so much time!"

Premiere episode with guest Diana Dors

Milton Berle on Jackpot Bowling generated several magazine covers.
at least the covers of TV Week...


 Milton Berle welcomes celebrity bowler Bobby Darin

Another reason for the show's popularity with men, regular
 "Cigar Salesgirl" and Milton Berle foil Laura Brady

The Brunswick corporation, manufacturers of the bowling equipment used on the show and co-sponsors of the show along with Philles cigars,
ran this newspaper ad welcoming Uncle Miltie as the shows new host.

Milton Berle welcomes guest former boxer/bowler Jack Dempsey

Phillies cigars featured the star of the show on their 1960/61 cigar boxes...

 thanks to "The Worst TV shows Ever" by Bart Andrews & Brad Dunning (Dutton)
and to Kliph Nesterhoff

Portrait of Mort Drucker

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This is the latest in my ongoing series of portraits of the legends of comic books, the renowned caricaturist and illustrator, the amazing Mort Drucker. Mort has been a MAD artist for going on six decades, and I'm proud to count him as a friend (OK, full disclosure, we've actually only met once, but do occasionally correspond, Mort, a personal hero always being very complimentary of my artwork). This is Mort posed in his studio, at least my imagining of his studio:
Mort Drucker finished art (click to enlarge)

this is the early pencil sketch

Do yourself or a loved one or a hated one a favor and order the incredible brand new book "Mort Drucker, Five Decades of his Finest Works":

http://www.barnesandnoble.com/listing/2687781782325?cm_mmc=GooglePLA-_-Book-_-Q000000633-_-2687781782325&cm_mmca2=pla&r=1

GOOD WORK!

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                                                  GOOD WORK
 The Illustration Art Invitational opens Jan-18th and runs till March 10th, at the Arts Center Gallery at Nazareth College, Rochester, NY. Curated by Kathy Calderwood & David Cowles, the show will feature 56 top illustrators picks for their single favorite pieces:

                                   http://artscenter.naz.edu/newsroom
Click to enlarge
Illustrations on display will include work by Daniel Adel, Terry Allen, Tom Bachtell, Melinda Beck, Guy Billout, Juliette Borda, Steve Brodner, Lou Brooks, Calef Brown, Philip Burke, Kathy Calderwood, Dave Calver, André Carrilho, Michael Cho, David Cowles, Brian Cronin, Jose Cruz, Paul Davis, Roger DeMuth, Debbie Drechsler, Henrik Drescher, Randall Enos, Vivienne Flesher, Douglas Fraser, Drew Friedman, Milton Glaser, Eddy Guy, Danny Hellman, John Hershy, John Kascht, Stephen Kroninger, Anita Kunz, Peter Kuper, Chris Lyons, Wilson McLean, Bill Mayer, Ross MacDonald, Mark Matcho, Hanoch Piven, C.F. Payne, Chris Pyle, Robert Risko, Edel Rodriguez, Laurie Rosenwald, Richard Sala, Zina Saunders, David Sheldon, Owen Smith, Bob Staake, Nancy Stahl, Ward Sutton, Gary Taxali, Murray Tinkleman, Mark Ulrikson, Kirsten Ulve, and James Yang. 
My pick for the show: Muddy Waters

https://www.facebook.com/events/100678983440528/

The Saga of Frank Sinatra Jr.

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"I sum up all of show business in three words: Frank Sinatra Junior"
-Albert Brooks

"He sure ain't his old man."

Originally appearing in the Oct 1985 issue of National Lampoon (a forgotten late 20th-Century humor magazine) script by Josh Alan Friedman, art by Drew Friedman, lettering by Phil Felix, The Saga of Frank Sinatra Jr...
page one, click to enlarge 
page two, click to enlarge
"The Saga of Frank Sintatra Jr" was actually printed on nice paper and appears in this large hardcover book. Trees were sacrificed so that you may own this book. Order it here:
http://www.amazon.com/Similarity-Persons-Living-Purely-Coincidental/dp/1606995219/ref=sr_1_1?ie=UTF8&qid=1357393853&sr=8-1&keywords=Drew+Friedman

FOREPLAY

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FOREPLAY, "a Carl Gurevich production",  is a largely forgotten three-part "sex comedy" (originally there were four intended stories/plays, thus the title) released in 1975, starring the great Zero Mostel in his final film role, and featuring the fascinating cast of Estelle Parsons, Jerry Orbach (in his third film), Pat Paulson, George S. Irving, Paul Dooley and  Professor Irwin Corey. The film was written by four screenwriters, among them Dan Greenberg (How to be a Jewish Mother)  and playwright Jack Richardson who adapted a short story entitled "Vortex" by Bruce Jay Friedman. All the writers asked that their names be removed from the films posters and advertising, as did the films three directors including John G. Avildsen, who would direct ROCKY a year later. The film would eventually be released on DVD by Troma films.

 http://every70smovie.blogspot.com/2012/01/foreplay-1975.html
FOREPLAY poster


Watch The Entire Film

More on the film:
Zero Mostel as the President
Pat Paulson and his "living doll"
The film received it's most attention when Jerry Orbach and other cast members
 recreated some of
their scenes for a photographer for a Playboy spread on the yet to be released film



Newspaper ad
The Italian poster
In 1976, in an attempt to cash in on the hit film "All The Presidents Men",  the film was re-released and retitled "The President's Women". Why "All" wasn't included is anyones guess,  perhaps fear of a potential lawsuit by Woodward & Bernstein
double bill newspaper ad for the newly titled film



Sammy Davis Jr. meets Richard Nixon

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In 1972, entertainer Sammy Davis Jr., a lifelong Democrat shocked the country by supporting President Richard M. Nixon who was running for reelection and giving him a famous hug on stage at a youth rally during the Republican convention in Miami. This proved to be very controversial, and Sammy received hostile reactions from his friends (aside from Frank Sinatra), democrats, blacks and southern Nixon supporters. He would later undertake a USO tour of Vietnam at the behest of the Nixon Administration.
 As a thank you for helping to get him reelected, Nixon invited Sammy to the White House on several occasions, and along with his wife Altovise, to a grand reception in 1973 hosted by Bob Hope. The Davis's were invited to sleep in the White House which is believed to be the first time a black couple was invited to do so. Sammy would later write that he regretted his alliance with Nixon and felt that he was ultimately misled.
                                                   1972 in Miami:                                                  





                                                                            
cover to an 8-page brochure issued in 1972 highlighting the  Nixon administrations accomplishments for black Americans

Photos from two visits Sammy Davis Jr. and his wife made to the White House in 1973:                                                                         









Cover art by Robert Grossman

David Frye's Richard Nixon albums

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David Frye in 1972, posed in
front of his "Richard Nixon
Superstar" album
Without a doubt, the best and funniest mimic of 37th President Richard M. Nixon was the manic and intense comic David Frye (born David Shapiro in Brooklyn). Frye created the definitive Nixon and was really on fire in the late sixties/early seventies, perfecting his devastating Nixon imitation in nightclubs (my father took my brothers and I twice to see Frye perform live in NYC, at Jimmy's Supper Club and Dangerfields), on television (as a semi-regular on "Copycats"), and especially in a series of popular comedy albums. Frye's Nixon impersonation became so good in fact, that by 1973 it sounded like (to me) Richard Nixon himself was performing the material. He perfected his impression by matching Nixon's vocal tones and modulations, and by adapting some of his catch phrases, such as "Let me make this perfectly clear" and creating some of his own, including "I am the President, make no mistake about that",and practicing in the mirror every day. Frye was also served well by some first rate comedy writing, helping to create some truly sharp-edged, timely political satire.

When Nixon resigned in 1974, Frye's career inevitably took a nosedive and despite several comeback attempts including a Bill Clinton album,  he never quite rebounded. He died in early 2011 in Las Vegas.

Frye also did a perfect Nixon facial imitation
 His great legacy remains his four Nixon albums, also special to me because of the artists who were hired to illustrate the covers, some of the best caricaturists of the time.

http://www.nytimes.com/2011/01/29/arts/29frye.html

David Frye's first album from 1969, cover art by Edward Sorel

                  "Richard Nixon Get's High", along with the great Chuck McCann

back cover

Frank Gorshin and David Frye (doing LBJ) on "Copycats", 1971
Frye's second album from 1971, cover art by the one and only Jack Davis
back cover
From 1972, narrated by Frye as Billy Graham, cover art by Sandy Huffaker
Frye's forth and final Nixon album, from 1973. Gabe Kaplan was one of the writers and performers. I'm unsure who made the Nixon puppet

From "Richard Nixon: A Fantasy"

Listen to the entire album here:
http://archive.org/details/david_frye_richard_nixon_a_fantasy

performing as Nixon on the Ed Sullivan show, 1971
the CD reissue of "Richard Nixon: A Fantasy", with newly added material
"I Am the President" became Frye's popular catch phrase
David Frye on the Smothers Brothers show

Jack Davis's Sergeants 3 poster art

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Sergeants 3 was a 1962 remake of "Gunga Din" featuring the 5 members of The Rat Pack, Frank Sinatra, Dean Martin, Sammy Davis Jr., Peter Lawford and Joey Bishop.

The original fun poster image was created by the great illustrator Jack Davis a year before his iconic "It's A Mad, Mad, Mad, Mad World" poster,  but for some unknown reason, finally not used. Instead it was used for the films publicity, promotional handouts, ("slicks"), newspaper ads, and for several of the foreign posters for the film.

Here's the original, rarely seen (entire) Jack Davis Image:
click to enlarge

the Spanish poster using a portion of the Davis art
and an ad using the entire image

thanks to Jerry Beck & Mark Newgarden



All of Frank Fontaine's album covers

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                all of the album covers of Frank Fontaine, aka Crazy Guggenheim













Toot's Shor's Bar by Willard Mullin

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In the 1940's, The New York World-Telegram and Sun sports cartoonist Willard Mullin painted this beautiful tribute to his regular hang-out, the legendary Toot's Shor's circular bar. He featured many of the regulars including Joe E. Lewis and Joe DiMaggio, the giant saloon keeper Toots himself (in the foreground) with his tiny wife "Baby" and various newspaper journalists, columnists, sportswriters and fellow cartoonists:

                                thanks to Mike Lynch, Tom Stemmle & K. Bidus

Hollywood Homes of Comedians Postcards

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see just where the movie & television comedians called home. Vintage Hollywood "Homes of the Stars' postcards from the 1920's-50's...
Abbott & Costello
Jack Benny
Bob Hope
Burns & Allen
Charlie Chaplin
Danny Thomas
Jimmy Durante
Groucho Marx
Harold Lloyd
Jack Lemmon
Jerry Lewis
Joe E. Brown
Milton Berle
Buster Keaton
Lucille Ball & Desi Arnez
Red Skelton
Eddie Cantor
Will Rogers
Eddie Rochester Anderson

TV IN SIGHT by Murray Olderman

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TV IN SIGHT was a weekly series of cartoon features created by the popular newspaper sports columnist and cartoonist/caricaturist Murray Olderman. Each installment highlighted a different television show or special during the 1959-60 TV season. The images, beautifully rendered by Olderman, (drawn on coquille board with pen, brush and Prismacolor black pencil), were distributed by the Newspaper Enterprise Association (NEA) to local newspapers across the country to be used in their TV sections

http://en.wikipedia.org/wiki/Murray_Olderman










































Drawing Chris Rock

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Today is the great comedian Chris Rock's 48th birthday, so I thought I'd show some of the illustrations I've created of him over the last few years
C.R. For Premiere magazine. His pick for which movie made him cry was Annie Hall
C.R. for the cover for the NY Observer

For Entertainment Weekly (drawn with a black Prismacolor pencil), L to R: Robin Williams as Groucho, Chris Rock as Chico, Ellen DeGeneres as Harpo, re-imagining the "stateroom scene" from A Night at the Opera

C.R. Bar Mitzvah entertainer,  for MAD magazine (click to enlarge)

The Comic Heroes of Drew Friedman

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"The Comic Heroes of Drew Friedman" (catchy title) This is my interview for the current issue of the National Cartoonist Society's newsletter "The Cartoonist". I'll be a guest speaker at their annual convention in May, this year in beautiful Pittsburgh, where I'll be discussing all things Old Jewish Comedians, Sideshow Freaks, NY Elevator Men and Comic Book Legends.

The Lost Drawings of George Wachsteter Auction

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David Brinkley by
George Wachsteter

On March 24, the Thomaston Place Auction Galleries in Thomaston Maine will host a one-day auction featuring "The Lost Drawings of George Wachsteter", a mind-boggling collection of original art spanning four decades from the estate of Wachsteter, at one time one of the most celebrated caricaturists of the mid-twentieth century,  now all but virtually forgotten:

http://www.artfact.com/auction-catalog/one-day-auction-the-lost-drawings-of-g.-wachsteter-l9uonikmkg

Thanks to the efforts of a few longtime admirers of his incredible art, among them Leonard Maltin, Mike Lynch, yours truly and the caricaturist Zach Trenholm, who made a pilgrimage to Elmhurst Queens to visit the aging and forgotten Wachsteter in his final years,  George Wachsteter's work will receive the attention and inevitable revival it so richly deserves, (and hopefully an anthology). This is my blog tribute to Wachsteter from 2012:
http://drewfriedman.blogspot.com/2012/03/lost-art-of-george-wachsteter.html

I'm showing just a sampling here (in no particular order) of some of the original Wachsteter caricatures and illustrations that will to be auctioned on the 24th. Full descriptions, including names, dates, and publications, as well as rough art and printed covers can be found on the auction catalog site:
http://auctions.thomastonauction.com/asp/searchresults.asp?st=D&sale_no=302&ps=25&pg=28&view=view1#103000

The majority of work represented in the auction was created for the weekly cover of the New York Journal-American Pictorial TV section. When the Journal- American ceased publication in the late sixties and Wachsteters vision faltered, his career virtually came to a halt.

Looking at his work, you might assume that George Wachsterer was perhaps greatly influenced by the legendary Al Hirschfeld, who Wachsteter frequently alternated with at the New York Times in the forties, but consider that they were each contemporaries and both quite celebrated in their day. They were also both clearly influenced by the great caricaturist Miguel Covarrubias. Enjoy!

My thanks to Martin Gostanian
4 Broadway composers

Eddie Cantor, The Colgate Comedy Hour
4 for Texas

What's My Line?

Walter Brennan/The Real McCoys
Five TV Comedians

1950 Broadway directors

All-Star review

The Ann Sothern show

Broadway Playwrights, 1949

Bells are Ringing

Milton Berle, Happy/Sad

Jack Benny, Milton Berle

Jackpot Bowling with Milton Berle

the Milton Berle show

Bing Crosby

Ray Bolger

Ray Bolger

Jay North, Boris Karloff

George Burns looks at comedy

Captain Kangaroo

Car 54 Where Are You?

Art Carney

Johnny Carson

Carson & NBC Peacock

Danny Kaye

David Brinkley

1949 poster design

Dick Clark

Dizzy Dean

Don Amache

the Donna Reed Show

the Dick Van Dyke Show

Ed Sullivan, Ringmaster

Ed Sullivan at Freedomland

Ed Wynn

Eric Blore

Ernie Ford as George Washington

Ernie Ford, Charlie Weaver

Fanny Brice

Allen Funt

Reggie Van Gleason

Arthur Godfrey

"Hit the Deck" at the Jones Beach theatre

The Alfred Hitchcock Show

Sid Caesar/Holiday on Wheels

Hugh Downs

Petticoat Junction

Jerry Lewis watercolor

Jerry Lewis, Garry Moore

Jerry Van Dyke

Jimmy Stewart

1964 Democratic convention with LBJ

My Little Margie

My Little Margie

Lucy/Desi Comedy Hour with Tallulah Bankhead

The Lucy Show

Lunt & Fontanne

cast of It's A Mad, Mad, Mad, Mad World

cast of "Uncle Willie" (with Menasha Skulnik)

The Munsters

My Favorite Martian

The NBC All-Star Review

Walter Matthau, Art Carney, "The Odd Couple"

Olson & Johnson

Oscar Levant

1946 Radio Stars

Red Buttons

Rudy Vallee

Sammy Kaye

The Defenders

"The Great Gleason Express"

The Jackie Gleason Show

Tom Ewell

Wagon Train

Walter Pigeon

Wayne & Shuster

Will Rogers

Rough art for the NBC Book of Stars





Portrait of Charles Bukowski

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 The Laureate of American lowlife                                                                  
Charles Bukowski was born in Germany in 1920, the only child of an American soldier and a German mother. At the age of three, he came with his family to the United States and grew up in Los Angeles. He attended Los Angeles City College from 1939 to 1941, then left school and moved to New York City to become a writer. His lack of publishing success at this time caused him to give up writing in 1946 and spurred a ten-year stint of heavy drinking. After he developed a bleeding ulcer, he decided to take up writing again. He worked a wide range of jobs to support his writing, including dishwasher, truck driver and loader, mail carrier, guard, gas station attendant, stock boy, warehouse worker, shipping clerk, post office clerk, parking lot attendant, Red Cross orderly, and elevator operator. He also worked in a dog biscuit factory, a slaughterhouse, a cake and cookie factory, and he hung posters in New York City subways.
Portrait of author Charles Bukowski, now available as a large (very) limited edition print, can be ordered here:
http://www.drewfriedman.net/prints/bukowski.html
Bukowski published his first story when he was twenty-four and began writing poetry at the age of thirty-five. His first book of poetry was published in 1959; he went on to publish more than forty-five books of poetry and prose, including Pulp (Black Sparrow, 1994), Screams from the Balcony: Selected Letters 1960-1970 (1993), and The Last Night of the Earth Poems (1992). He died of leukemia in San Pedro in 1994.

 This is my newly completed portrait of Charles Bukowski, who I never met, although I illustrated a series of his short stories ("Notes of a Dirty Old Man") for High Times magazine in 1993 when he had (briefly) become a regular contributer. (Robert Crumb has also drawn Bukowski and his stories on numerous occasions) Bukowski was very pleased with my depictions of his sad characters and sent this letter to the editor, Larry "Ratso" Sloman:
This is the artwork for the story he's referring to, "There's No Business like Show Business",
from the March 1983 issue of High Times:

                                                                            Bukowski biography notes via Good Reads 






Aunt Bee or Not Aunt Bee

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A photo has been circulating on various "When they were young" sites with the claim that it's the young "Francis Bavier", aka "Aunt Bee" of "The Andy Griffith Show". It's clearly not. Aside from the young woman looking nothing like her (It's actually a young Gloria De Haven), she never posed for any "cheesecake" photos. When she was younger she was a Broadway stage actress:
http://en.wikipedia.org/wiki/Frances_Bavier
The photo is also not from "around 1936", more likely from the mid to late forties based on the two-piece bathing suit, hairstyle and background. Another clue that the claim is bogus, the spelling of her first name is "Frances", not "Francis" as mistakenly captioned here:
Francis Bavier – better known as Aunt Bee on the Andy Griffith Show.

(Photo taken around 1936)

 Here's an actual photo of the young Frances Bavier:


young Gloria De Haven:

Of course, if you're looking for a sexy image of Frances Bavier (Aunt Bee) posed in a two-piece bathing suit, you've come to the right place:

my portrait of "TV Babe" Aunt Bee, originally
 published in TV GUIDE
thanks to Richard Samson for ID'ing Gloria DeHaven


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